Creativity has much to do with experience, observation and imagination, and if any one of those key elements is missing, it doesn’t work.
Bob Dylan Chronicles vol 1 2004 p121
Where do my ideas come from?
This website comprises fifty seven pages of
images, text, audio & video
that document work from 1970 to 2023.
Illustrated buttons (below) connect to images of the work.
Descriptive text buttons link to information about the work.
Magenta text links to information about people, places and processes
that may be of interest.
Bob Dylan Chronicles vol 1 2004 p121
Where do my ideas come from?
This website comprises fifty seven pages of
images, text, audio & video
that document work from 1970 to 2023.
Illustrated buttons (below) connect to images of the work.
Descriptive text buttons link to information about the work.
Magenta text links to information about people, places and processes
that may be of interest.
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But first... a little about the photograph at the top of this page.
The Hackney Archives holds a copy of the Clarnico sweet factory Specialties List (1906) that includes a photograph of the box-making department where my great grandfather, John Maycock (circled), is seen wearing a bow tie and standing near the back of the workshop. Finding this publication contributed to my research and understanding about the occupations of my ancestors and the materials with which they worked: fabric, slate, wood, etc.
In the introduction to the Specialties List is this sentence:
"We think it probable that the conditions under which our sweets are made may be of interest to our friends and have embraced this opportunity to include some illustrations of our manufacturing departments".
Clarnico's contextualization of process and product inspired me to follow their lead when planning this website ergo:
I think it possible that the conditions under which my work is made may be of interest so have included information about how and why each series developed, and also where finished works were exhibited.
In the introduction to the Specialties List is this sentence:
"We think it probable that the conditions under which our sweets are made may be of interest to our friends and have embraced this opportunity to include some illustrations of our manufacturing departments".
Clarnico's contextualization of process and product inspired me to follow their lead when planning this website ergo:
I think it possible that the conditions under which my work is made may be of interest so have included information about how and why each series developed, and also where finished works were exhibited.
You should know that I update the website regularly and welcome your questions and comments.
But first...
Below 'tangled up in blue', one of just five small pieces made in 2022. It is the result of spending more time playing guitar.
A byproduct of becoming better acquainted with guitars has been the making of images that illustrate how, when grouped, guitar forms generate interesting negative spaces. I also like that, on paper, I can make those forms do things that defy logic.
Other guitar drawings can be found at:
works on paper then using the left arrow.
But first...
Below 'tangled up in blue', one of just five small pieces made in 2022. It is the result of spending more time playing guitar.
A byproduct of becoming better acquainted with guitars has been the making of images that illustrate how, when grouped, guitar forms generate interesting negative spaces. I also like that, on paper, I can make those forms do things that defy logic.
Other guitar drawings can be found at:
works on paper then using the left arrow.
If you have questions about any aspect of the work...
bryan maycock 2013 ©